SongWorks

 

SongWorks is built on the premise that students should be at the center of and actively involved in the study at hand.
 
Singing activities, often in the form of singing games, provide the context for student immersion in social interaction, movement, language, thinking, listening, and music. Singing activities are designed to be engaging and enjoyable, and at the same time they provide groundwork for serious progressive study and skill development.
 
Challenges that elicit maximum responsiveness from students are constructed by the teacher and provided through singing games.
 

Learning to respond to student responsiveness is a key challenge for teachers as they help students explore the breadth of possible meaning and solutions to any given task. See SongWorks I: Singing the Education of Children, SongWorks II: Singing from Sound to Symbol written by Drs. Peggy Bennett of Oberlin Conservatory and Dr. Douglas Bartholomew of Montana State University. or The Right Answer Game also written by Dr. Bartholomew.

 

 

Antiphonning

 

Antiphonning is a way of performing a song in which a leader and responder(s) alternate performing successive parts of the song; it is a fill-in-the-blank activity for singing a song. Details
 
Chinning

 

Chinning is the act of singing a song on a neutral syllable such as "loo", "la", or "doo". Details

 

Solfege

 

Solfa (solfege) is a set of syllables that represent pitch or relationships between pitches in music. The syllables are: DO, RE, MI, FA, SO, LA, TI and then to DO one octave above the original DO. Details

 

Song

Mapping

 

A music map is a line that represents the flow or movement of music. Drawn while a song or an instrumental work is being sung or heard. Details

 

Movement

 

Movement and singing...... are almost inseparable activities. Details

 

Secret Songs

 

Presenting a song as a “Secret Song” entails performance of a song in other than in whole form. Details

 

Song Dots

 

Song Dots are made by tapping the rhythm of a pattern or a whole song with chalk or a marker, leaving a visual record of this movement. Details

 

Singing in the Education of Children

 

Singing together is a vital component of effective education, one that should be experienced everyday. Details

 

Stress Patterns in the English Language

 

Word accents (stresses) are especially important connections between song and language because they give shape, expression, and meaning to both. Details

 

Vocal Productions Within the Songworks

 

Vocal production within the SongWorks framework refers to the “lifted voice”, a voice that is well supported by breath energy and often using head resonance. Details

Singing for

Every Child

Some children enter school having had little experience in singing. Quite a few children sing in a speaking or shouting voice. When I suggest helping children find the singing voice, I refer to a light, high, head voice often associated with the sound of an excellent children’s choir. Details

 

To learn more about SongWorks and how to use this collection of teaching strategies and study techniques, refer to books and articles pages of this site.

 

There are various courses of study throughout Canada, the United States, and Japan where those interested can study SongWorks. If you would like to have a course in your area, see the contacts page.

 

1. Bennett P. D. & Bartholomew, D.R. (1997). SongWorks I: Singing in the education of children. Belmont, CA: Wadsworth

 

2. Bennett P. D. & Bartholomew, D.R. (1997). SongWorks II: Singing from sound to symbol. Belmont, CA: Wadsworth  

 

   

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