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SongWorks
SongWorks is built on the premise that
students should be at the center of and actively
involved in the study at hand.
Singing activities, often in the form of singing games,
provide the context for student immersion in social
interaction, movement, language, thinking, listening,
and music. Singing activities are designed to be
engaging and enjoyable, and at the same time they
provide groundwork for serious progressive study and
skill development.
Challenges that elicit maximum responsiveness from
students are constructed by the teacher and provided
through singing games.
Learning to respond to student responsiveness is a key
challenge for teachers as they help students explore the
breadth of possible meaning and solutions to any given
task. See SongWorks I: Singing the
Education of Children, SongWorks II:
Singing from Sound to Symbol written by Drs. Peggy
Bennett of Oberlin Conservatory and Dr. Douglas
Bartholomew of Montana State University. or
The Right Answer Game also written by Dr.
Bartholomew.
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Antiphonning
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Antiphonning is a way of performing a song in
which a leader and responder(s) alternate
performing successive parts of the song; it is a
fill-in-the-blank activity for singing a song.
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Chinning is the act of singing a song on a
neutral syllable such as "loo", "la", or "doo".
Details
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Solfege
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Solfa (solfege) is a set of syllables that
represent pitch or relationships between pitches
in music. The syllables are: DO, RE, MI, FA, SO,
LA, TI and then to DO one octave above the
original DO.
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Song
Mapping
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A music map is a line that represents the flow
or movement of music. Drawn while a song or an
instrumental work is being sung or heard.
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Movement
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Movement and singing...... are almost
inseparable activities.
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Secret Songs
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Presenting a song as a “Secret Song” entails
performance of a song in other than in whole
form.
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Song Dots
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Song Dots are made by tapping
the rhythm of a pattern or a whole song with
chalk or a marker, leaving a visual record of
this movement.
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Singing in the Education of Children
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Singing together is a vital component of
effective education, one that should be
experienced everyday.
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Stress Patterns in the English Language
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Word accents (stresses) are especially important
connections between song and language because
they give shape, expression, and meaning to
both.
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Vocal Productions Within the Songworks
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Vocal production within the
SongWorks framework refers to the “lifted
voice”, a voice that is well supported by breath
energy and often using head resonance.
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Singing for
Every Child |
Some children enter school having had little
experience in singing. Quite a few children sing
in a speaking or shouting voice. When I suggest
helping children find the singing voice, I refer
to a light, high, head voice often associated
with the sound of an excellent children’s choir.
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To learn more about SongWorks and how to
use this collection of teaching strategies and study
techniques, refer to books and
articles pages of this site.
There are various courses of study throughout Canada,
the United States, and Japan where those interested can
study SongWorks. If you would like to have a course in
your area, see the contacts
page.
1. Bennett P. D. & Bartholomew, D.R. (1997).
SongWorks I: Singing in the education of children.
Belmont, CA: Wadsworth
2.
Bennett P. D. & Bartholomew, D.R. (1997). SongWorks
II: Singing from sound to symbol. Belmont, CA:
Wadsworth |
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